No one actually reads this site yet, but what the heck…
Where should you be next week? At the Mercury Lounge. On both Monday and Tuesday, BRR-linked bands will play. (Ahh, the irony of booking shows in NYC?)
On Monday, The Bosch brings in their garage punk song crafting at 9 PM. (Disclosure: Andrew plays saxophone and keyboards in The Bosch.) The show will debut new songs and will be the first show in Manhattan with the new lineup.
On Tuesday, The Walk Ons rock out their eclectic power-pop at 10 PM. They just finished their new album. Some sample tracks available at MySpace. (Disclosure: Krikor sings and plays guitar in The Walk Ons.)

Damn you, cable box!
My cable box turned itself off sometime last night, which meant that instead of recording the highly awaited season premier of The Office, ReplayTV recorded 30 minutes of nothing. One on level, think about the deeper meaning. If your TV Office is a black void, then maybe your real life office is merely a black void, as is your soul. And sometimes, a bottle of Dharma Initiative ranch dressing sitting in the sun is just a bottle of ranch dressing becoming rancid. (If there is any message here, it could be that I watch too much TV.)
At least going on iTunes to download the episode led me to Dwight Schrute’s Playlist: Twelve Songs That Inspire and Motivate Me. Besides the 1970’s Battlestar Galactica theme songt he Star Spangled Banner, and Rush’s “Tom Sawyer,” Dwight’s playlist includes the bestest song ever: Boston’s “More than a Feeling.”

Sometimes you feel things and you’re like, ‘Whoa, that’s a feeling,’ but it’s also so much more. What is it exactly? What is this thing that is a feeling but is so much more? This song attempts to answer this very human and eternal question. Plus, the guitar is awesome.

I caught the premiere of the third season of The Office last night. This show was definitely a grower for me last year. Like many, I found the British version more immediately funny, especially the “boss character” (David Brent), but the American version has managed to carve its own identity by making the show more of an ensemble effort, and by toning down some of the original version’s bleakness.
That’s not to say that it’s as lighthearted as the average American sitcom. The Office is a show that doesn’t let it self step into the realm of whimsy or the fanticiful too often, and after ending the second season brilliantly with Jim and Pam finally hooking up, they deflate that balloon immediately in showing how fast reality set in to end that romantic moment.
The rest of the premiere clearly establishes that the feelings between the two characters are still there, and even suggests that there will be a little competition for Pam’s heart between a heartbroken Roy (the wedding didn’t happen) and a still smitten Jim. However, most of the focus in the episode is devoted to Michael unintentionally outing Oscar through a careless insult. As with any secret that Michael discovers, it’s not long before everyone knows, and he’s forced to try to prove that he not homophobic. Cue the world’s most uncomfortable guy-guy kiss.
I enjoy this show, though I don’t always like that so much of the humor comes from “cringe.” In a way, I find it funnier when I think back about the episodes post-viewing than when I’m actually watching them. In any case, the memories of the impressive story arc the writers unfolded last year will keep me watching this season. And geez, I gotta see what happens between Jim and Pam…

This is way too meta for me.
Defaker, the Studio 60 Gossip Blog is the version of Defamer that lives in the TV world of Studio 60 on the Sunset Strip.

Mike Judge’s follow-up to “Office Space” mixes in some “Beavis and Butthead” to create a a biting satire about modern culture. It stars Luke Wilson. It sat on a shelf at Fox for two years before debuting this month in a very limited release.
Carina Chocano, LA Times: Idiocracy: “What does Mike Judge have to do to get a movie released and marketed? He could stop making satires as merciless and spot-on as this one, for one thing. His second film in seven years, “Idiocracy,” was completed nearly two years ago and dumped on Friday, reviewless and unmarketed, in six markets not including New York and San Francisco. (Because who could possibly be interested in the long-awaited movie by the director of “Office Space” there?)”
Nathan Rabin, The Onion A.V. Club: Idiocracy: “In Beavis And Butt-head, that devolution is just suggested; in Idiocracy, it’s made dizzyingly literal. A perfectly cast Luke Wilson stars as a quintessential everyman who hibernates for centuries and wakes up in a society so degraded by insipid popular culture, crass consumerism, and rampant anti-intellectualism that he qualifies as the smartest man in the world. Corporations cater even more unashamedly to the primal needs of the lowest common denominator—Starbucks now traffics in handjobs as well as lattes—and the English language has devolved into a hilarious patois of hillbilly, Ebonics, and slang.”
Edward Havens, FilmJerk.com: Idiocracy “Like many of the greatest cinematic comedies, “Idiocracy” is a lean machine, clocking in at a mere 83 minutes. It sets up its premise succinctly and gets right into the story, flooring the acceleration right from the get-go and never looking back until the very end. Not a moment is wasted. Everything that happens on the screen is there for a reason, every joke set up to payoff two or three more down the road.”
Reviews are generally positive (currently 75% fresh at Rotten Tomatoes.)

If there’s one thing I’ve realized from watching Rock Star: Supernova, it is just how great of a band Radiohead is. The Supernovices have played three of my favorite Radiohead songs– My Iron Lung, Creep and Karma Police– in front of the House Band. My Iron Lung was Patrice’s best performance by far. Lukas and Magni both sang well on Creep. Toby’s version of Karma Police was solid. The House Band is generally excellent. In particular, they kicked ass on Magni’s Deep Purple cover and on Toby’s original tonight.
But Radiohead manages to put so much nuance, contrast and volume into each song, that any cover version has trouble capturing that much dynamic range. The difference between the high and low intensity moments in each Radiohead song is so great that any covering artist may have difficulty covering both ends of that spectrum.
Otherwise, tonight’s show seemed pretty unnecessary. It feels like the members of Supernova have decided who will front the band a few weeks ago and these shows are somewhat redundant except for the product placement.
How much did Ryan spend on texting his own votes in for the encore? I skipped ahead to the next act break. I also fast forwarded through Lukas’s performances. It’s hard enough listening to Lukas sing or listening to a Coldplay song. But Lukas singing a Coldplay song? That’s not just unwatchable, I think it’s outlawed by the Geneva Conventions. His original was boring and flat with the House Band and somehow even less compelling without them. Lukas seems to be the frontrunner. Which kind of makes sense. Since I have no interest in seeing either Lukas or Supernova perform, that does make them a good fit for each other.
How many references to other reality shows can we have in one segment? During the post-Lukas talking, Navarro called out Paula Abdul in the audience and ended the bit referencing the Survivor script.
Magni seemed to have a lot of fun performing tonight– with the House Band, Toby and Dilana. He’ll probably have much more fun fronting the House Band on the Supernova tour than he would be fronting Supernova.
Dilana brought her best performance in weeks. It may be too little, far too late. Toby seems to be the perfect fit for the band– he’s a fun performer without much substance. Evs. Let’s finish this up and move on to Amazing Race 10.